Quantcast
Channel: Tulika Publishers
Viewing all 147 articles
Browse latest View live

Mayil Will Not Be Quiet! - an experience

$
0
0


Writer Sowmya Rajendran shares her experience with the boys at Bishops School, Pune, after discussing

with them the popular Mayil Will Not Be Quiet!



Mostly Madly Paranoid
Sowmya Rajendran


As part of the National Library Week celebrations organized by Hippocampus, I went to Bishops School,
 

Pune, to talk to a 6th standard class about Mayil Will Not Be Quiet (co-authored with Niveditha

Subramaniam). We were launching the sequel Mostly Madly Mayil a few days later at the Bookaroo

festival, Pune, and I  was looking forward to interacting with the children on Mayil and what it is that

makes her tick.


It’s only when I got to the school that it dawned on me that this was a boys’ school. Apprehension set in.

The extracts from the book that I had chosen for discussion touched on issues like standards of beauty

and gender stereotyping among other things. Typically, when we discuss these issues with a mixed

group, the girls tend to pick a side and the boys feel impelled to pick the opposite side of the debate!

Arguments and counter-arguments flow and the session becomes a very interactive and lively one. I

was worried that in an all-boys atmosphere, there might not be as much discussion. Would they be

interested in reading a girl’s diary to begin with?

I also wondered if the boys would speak up openly about these issues without the fear of being

ragged by their classmates later on. So before we began, I told them to promise me that whatever we

talked about in the classroom today would remain an honest discussion and that they were not to use

these ‘confessions’ to tease anyone later on. They were quite willing to make this promise though I had

to remind them of it now and then during the session when they showed signs of bullying someone who

was talking!

When I asked them how many of them were into reading, hands shot up all over the classroom. They

said they loved reading Percy Jackson, Harry Potter, Wimpy Kid, Greek mythology, Enid Blyton, Roald

Dahl and many more. Many of them said they wrote, too, and a few said they’d been keeping diaries

for years now! None of them was willing to show their diaries to anyone else because they’d get into

trouble if they did so…this was a good lead into Mayil’s diary as she begins with a warning message to

anyone attempting to read it.



The introduction to the characters done, I asked the boys to imagine that they were film directors and

to tell me what their heroes and heroines would look like. I put up the adjectives on the board as they

shouted them out. I asked them why they didn’t think short/dark/differently-abled people could be

heroes/heroines and one of them said it’s probably because all the films he’d seen showed only people

who were tall and fair. I moved on to read an extract from the book that deals with Mayil wondering if

all the boys in class thought her friend, Jyothy, looked the best because she was so fair. Should she use

the Fair and Lovely sachet that had been gifted to her so very generously by Jyothy? Dilemma, dilemma.

We spoke about adolescence as a phase when we become conscious about our looks, wondering if

others think we look good or bad. We talked about beauty as something that changes with time and

place – none of the heroes and heroines in old films had six pack abs or size zero bodies!

After this, I read out an extract from the book that has Thamarai, Mayil’s brother, wanting to play with

her doll and the conflict that happens at home because of this. One of the boys confessed that he’d

played with his doll till he was about six years old…his mum took it away from him after that! We spoke

about the times when they have been asked to change their behaviour because it doesn’t suit a ‘boy’s’

behaviour – one boy said he talks a lot and his parents tell him not to do that because only girls talk a

lot! We also discussed clothes and they were surprised to know that Scottish men wear ‘skirts’ (kilts).

Wouldn’t they laugh if they saw a man in India dressed in a skirt? Why was that? Why is it okay to do

certain things as a man or a woman in certain countries but not others?





Finally, I read out an extract from the book that has Mayil and her friends plotting to go for a movie

by themselves, without an adult accompanying them. The boys enjoyed this ‘exploit’ and told me with

great enthusiasm about the number of times they’ve lied to their parents and had gone on similar

adventures! I shall keep their secrets safe with me and not reveal them here.


They were keen to read more from the diary and were disappointed that I wasn’t going to talk about

Mostly Madly Mayil. Overall, I discovered that my fears about their responses had been completely

unfounded. If it’s a good enough book, children will be interested. Whether they are boys or girls.

In retrospect: Tulika titles 2013

$
0
0

A quick peek at all the Tulika titles that were published in 2013

ROUND AND ROUND BOOKS by Deepa Balsavar

“a thoroughly unique set of books that have neither any words nor any limits on the number of stories a parent or child can come up with…”
Parinita Shetty


LET'S GO! by Anthara Mohan and pictures by Rajiv Eipe


“Let’s Go! works at so many levels – the child learns to identify vehicles (the difference between a scooter and a motorbike, for instance), figure out public/private transport, count, absorb different movement verbs, take in different types of bodies and I’m sure unravel a lot more as we read it again and again.”
Sowmya Rajendran


TSOMO AND THE MOMO by Niveditha Subramaniam


A delightful story about the delectable momo, that flavour-filled savoury that travelled to India from Tibet, Nepal and beyond. Now you too can relish it with Tsomo in a mouthwatering story in which the steaming hot momo comes appetisingly alive! Watercolour pencil illustrations softened with subtle brushstrokes conjure up scenes sure to tickle the tastebuds, satisfy hunger pangs and stir up a song.

MINU AND HER HAIR by Gayatri Bashi


A bird's nest? A cow with two horns? No, it's Minu's hair and she does NOT like it! Pictures give Minu's hair a tactile feel as it spills wildly through the pages.

RAINDROPS by Vaishali Shroff and pictures by Ruchi Mhasane


“The simple, unassuming style of writing instantly caught my attention. Short and crisp lines make reading aloud a pleasure. Soaked in soft watercolours page after page, with pictures depicting rainy day delights… “
Praba Ram

LITTLE LAALI by Alankrita Jain


“A great book to talk to kids about the simpler concepts of big and small, and the more difficult ones like perspectives, real and imagined and positivity.”
Richa Jha


ROOSTER RAGA by Natasha Sharma and pictures by Priya Kuriyan


Every time Ruru rooster opens his mouth he has a new tune but not the kukaroo-kuroo of the other roosters. His friends skip and stretch, stamp and roll and try to teach him. This cheery, foot-tapping story invites big and little readers to move and sing, clap and tap along with Priya Kuriyan’s expressive characters.
Read aloud and sing along with Jeeva Aunty in English and Tamil, make your own rooster plumes and an origami rooster!

 WHEN I GROW UP by Annie Besant and pictures by Anushree Bhat


"Each time Appu cooks up a cherished vocation, his best friend Lola is there to knock him off his flight of fancy with some sound reasoning to boot! It makes you smile, the way the two argue, fight, and then come back together to the one comforting constant that gives them happiness… each other.”
Richa Jha

RANGANNA by Arthi Anand Navaneeth and pictures by Kavita Singh Kale


“Arthi’s tale, ably enhanced by Kavita Singh Kale’s multi colored brush strokes, brings the tale to a warm and fulfilling finish. From beginning to end, Ranganna maintains the comforting lilt and tone of a bed time tale.”
Anusha

CATCH THAT CAT! by Tharini Viswanath and pictures by Nancy Raj



“Yes, Dip Dip needs help — she is no super-kid — but that should not take anything away from what she wants to or how she wants to do it. She is another naughty, tousled-haired kid. She is the kid you chide for teasing friends, breaking a window pane, and well, going after a cat. Tharini Viswanath picks the right words to tell you that, and Nancy Raj captures the exuberance of the story in her expressive illustrations.”
Geeta Padmanabhan

THE 13TH RIDDLE by Nadine D'Souza and illustrations by Ajanta Guhathakurta


“This subtle positive reference to a number, that is in general considered unlucky by so many people around the world, impressed me.”
Ranjani Satish

CAVE ART: THE FIRST PAINTINGS by Vishakha Chanchani


"The best part is that the question and answer format has a very encouraging, collaborative tone throughout the book. Never does the author pretend to be an expert and that makes the script so much more credible… The coloured visuals, some effectively spanning two pages, beautifully complement the text - which is free of jargon and not burdened by information."
Rachna Maneesh-Dhir


NABIYA by Chatura Rao and illustrated by Ruchi Mhasane


A sensitively told story about a spirited young girl, who likes football as much as she likes storybooks, is based on the author’s own experience. Using a collage of colours, textures and drawings, the illustrations evoke Nabiya’s everyday world and her journey into the world of words.   

THE MAGICAL FISH by Chandrakala Jagat and pictures by Gond artist Shankunlata Kushram


"The fear that accompanies a move, the imminent threat of the unknown and the need for survival are highlighted by the fish’s concerns at being asked to move out of the lake… The art is in typical Gond style and very colourful with some unexpected touches."
Arthi Anand Navaneeth

JAGADISH AND THE TALKING PLANT by Swati Shome and pictures Anushree Bhat


In this first-of-its-kind comic book, the maverick scientist’s journey is imagined through the eyes of Mimosa Pudica — the ‘touch-me-not’ plant he used extensively in his research. Extracts from a well-known speech and an entry from Bose’s own journal offer a direct glimpse into a fascinating mind. A crisp timeline gives an overview of his life, while humorous asides and quick facts pack in a punch.

BIJOY AND THE BIG RIVER by Meera Sriram and Praba Ram


"a welcome addition by Tulika books, as this part of our country is vastly under-represented in children's literature.”
Sandhya Renukamba

LITTLE INDIANS: STORIES FROM ACROSS THE COUNTRY by Pika Nani


“…marked by adventure and unpredictable endings… The book also comes with nuggets of interesting facts.”
Sravasti Datta

MOSTLY MADLY MAYIL by Niveditha Subramaniam and Sowmya Rajendran


“…head and shoulders above the flippant, ha-ha diary publications that are again quite a fad ... Yes, it’s humorous and easy to read, but it deals in a much more authentic way with growing up issues and is unflinching for a pre-YA book.”
Ken Spillman on Mayil Will Not Be Quiet!" I loved the fact that the book doesn’t make a heroine out of Mayil. She has her faults, and yet she writes in such an endearing manner."
R's mom-blogger

WATCH OUT! by Shamim Padamsee and pictures by Ajanta Guhathakurta


"...the text contains action words like, “Let’s play”, “Let’s pounce”, “Let’s drink” or “Let’s roll" making children instantly connect with the histrionics of these playful cubs."
Rituparna Ghosh

BALU'S BASKET by Chitra Soundar and pictures by Uttara Sivadas


One day Balu finds a basket. What does he do with it? Bright, clean pictures create a cheerful backdrop for this fruit-filled book.

THE RED UMBRELLA by Nandini Nayar and pictures by Soumya Menon


Drip, drip, drip! It’s raining. What happens when seven animals have to share one small umbrella? Cheery pictures liven up this old folktale about sharing retold with a twist.

WHERE DID IT GO? by Nandini Nayar and pictures by Sreeja Basu



What did Kabir find and where did it go? Will he find it again? The simple text is accompanied by graphic pictures lending an interactive dimension to this lost-and-found story. Pictures match clues in the text offering many everyday objects for children to identify as they wander with Kabir through the pages.

COMING SOON

WE ARE DIFFERENT! by Manjula Padhmanabhan




There are many chickens, ants, pots, snails... that are different. The smart verse says how many- but which, and how? Spotting odd ones out goes to the next merry level where it's fun to find what's different.

READ ALOUD STORIES edited by Priya Krishnan and Deeya Nayar


Fifteen stories and poems especially for reading aloud, by some of India's more talented writers. Sounds, repetition and drama add fun to the interactive experience of storytelling, reading and listening, and develop language skills in young children.

JUNIOR KUMBAKARNA by Arundhati Venkatesh and pictures by Shreya Sen

  

Kukku falls asleep to his favourite story about the giant Kumbhakarna who sleeps non-stop for six months. A lively retelling of an episode from the Ramayana with rib-tickling pictures.
 


Bookaroo Pune 2013

$
0
0

    Writer-illustrator Deepa Balsavar all dressed up and performing for the children.



      A quick peek at storyteller Jeeva Raghunath telling her oh-so-popular The Talkative Tortoise




                                      Children jive to the Rooster Raga with writer Natasha Sharma


      From a friend of Tulika

      $
      0
      0
      A friend of Tulika, Rachna Dhir, shared us her experience at the recent Handmade Collective organised by A Hundred Hands



      Tulika At A Hundred Hands
      Rachna Dhir

      When I moved to Bangalore, many years ago, people told me “Oh, everybody knows everybody, here” and I laughed. Delhi was an old big city and you did bump into familiar faces every now and then. However, I just could not believe that Bangalore was such a small place. Over the years, so many people have moved in while others have moved on. Many old buildings with so much character have been replaced by ugly concrete and glass ones, in the name of development. Yet, I am happy to meet a familiar face, more often than expected.

      A Hundred Hands Annual Handmade Collective is one such event, that I look forward to, every November. My children and I love doing stuff with our hands – be it making bead jewelry, playing the table or making old fashioned book marks. And of course, we all love reading books. So, four years ago, I decided to combine my passions for Tulika books and the handmade initiative by putting up a stall at the event and I get to meet some very interesting people as a perk (wrote a blog about that, last year).

      This year, the venue shifted and many more people attended the four day event. Of course, the regular ones came multiple times. Furthermore, many schools were located close by and every day, mothers would pick their children and bring them over just to choose books. It was amazing to see the Hindi and bi-lingual books fly off the table, literally, as Hindi speakers in Bangalore rarely get to lay their hands on such books in stores. I was so happy to help grandparents select for their grand children, as I could guess their dilemma – their children obviously had settled overseas and they want to keep the contact with India alive for the little ones.




      At the stall at AHundredHands- Handmade Collective

      While the latest titles were obviously popular – Little Indians, Rooster Raga, Ranganna, When I Grow Up, The Magical Fish, Let’s Go!, Where did it go?, Catch that Cat, Little Laali, not so old series like Baby Bahadur, Panchatantra  and First Look Science, as well as titles like Mystery of the Blue, Stitching Stories, When Ali Became Bajrangbali and My Grandfather’s Stick were also in great demand.

      I met not just hard core Tulika book lovers but also people who came for hand made products but were pleasantly surprised to see such books for the first time that did not exist when they were children.  So many would stop by, pick a book, read it or browse through the illustrations and walk away with a smile. If a smell alone can bring so many childhood memories to my mind, I could only imagine what joy a word or picture might have triggered for some of them.
      So, on behalf of Tulika and A Hundred hands, I wish to thank all those who stopped by. 
      I hope the children who got those books –wherever they may be – are enjoying them.

      To those of you who were not able to get a title of your choice in the language you wanted – please write to Tulika – we still have Cash On Delivery (COD) for Bangalore and will be happy to get you what you want.



      Tulika at The Times of India Literary Carnival 2014

      $
      0
      0

      Tulika Editor, Priya Krishnan, shares her experience at the Times of India Literary Carnival 



      The themes of the two sessions on children’s literature at The Times of India Literary Carnival in Bengaluru (24, 25, 26 January 2014) wittingly or unwittingly came around to focus on two of its most challenging areas — the writing of stories and the business of writing stories. Radhika Menon of Tulika Publishers moderated the sessions. With her vast experience in creating books for children and getting them out to be read, she framed the context for the discussion, fittingly and asked pertinent questions to engage the panelists in two very absorbing sessions.



      Has children’s writing in English gone beyond the phenomenon of J.K. Rowling? Add to that, writing with a western literary inheritance. Is this burdensome or inspiring?


      From right to left: Poile Sengupta, Asha Nehemiah, Radhika Chadha, Radhika Menon

      Poile Sengupta, Radhika Chadha and Asha Nehemiah were in discussion . . . Radhika started things off with an interesting observation — a survey in the UK — that says that Enid Blyton is Britain’s best-loved author. And in this list of 50 best loved authors, 12 were children’s authors! So why do children’s books occupy a special place in our heads and hearts? Nostalgia, a sense of wonder associated with the time you first start reading, and that stays with you, said the panelists, all of whom had grown up reading books in English.

      So, would we in India, respond to a survey like this one, with a children’s author in our list of best-loved authors was the follow up question. Wouldn’t those of us in our 40s, 50s and older be more likely to come up with the names of authors writing for adults? And does reading in a language that is not our mother tongue (English) make our reading as children less embedded in our consciousness? While well known writers in Indian languages place books they read as children high on their list of their most favourite, this is not the case with Indian writers writing in English. In other words, does reading in the mother tongue touch you in ways that reading in a second language – even if we choose to call it our first language – does not? These were some of the questions explored.

      When asked whether the heritage of children’s literature in English comes in the way of writing or does it inspire, the answers seemed to convey that while influences seep in, they all choose to locate the stories in a familiar environment. The breaking away, then, from the western model, setting and language is conscious. And what’s wonderful is the reaction this elicits from children. When chameleon, Colour-Colour Kamini gets nervous, she gets her colours mixed up. A child with performance anxiety was able to relate to her predicament, says Radhika Chadha. And there were a few more instances to establish that children respond to something that’s familiar, immediate, yet universal.

      And is JK Rowling a benchmark? Yes, she made reading ‘cool’ and Poile confessed to being envious of her, given the numbers she sold; which then validates the point that Rowling is a benchmark, but not so much for her writing as much as for the business of publishing. So it can be said that writing for children in India is finding its voice in the hands of many talented writers.



      Where do stories come from? Writing for children



      From left to right: Manjula Padmanabhan, Vishakha Chanchani, Ameen Haque, Nina Sabnani, Radhika Menon
      Manjula Padmanabhan (author, artist), Vishakha Chanchani (artist and art educator), Nina Sabnani (illustrator, animator, filmmaker) and Ameen Haq (storyteller) revealed the wellspring of their stories.

      Most creative writers — poets, novelists — talk of their own experience being the bedrock of all their writing. Manjula tunes into the pleasure she used to get as a child from reading stories and replicates that pleasure in her writing, not the stories or incidents themselves. Vishakha draws from the simple pleasures of her childhood days, and Nina, by observing people and surroundings.

      But clearly just experience and skill is not enough. They went on to discuss the instincts that turn a good idea into a great children’s story. Each one has a different instinct; the instinct that aims for a symbolic truth, urges flavour-seeking, excites young readers into the world of art and storytelling, a visual impulse that prompts a story idea. The conversation then moved onto why they chose children’s books or storytelling as their medium of expression and the challenges they face in writing/ illustrating/ telling stories for children and what in their minds is an “Indian” story.

      Introducing some of their books to the audience, allowed for a peek into the story of how a story comes into being, what it says, how it works and how it is received by children.

      Many, many little chits of paper with questions found their way onto the stage. The audience was clearly engaged!

      Tulika books everywhere!

      $
      0
      0
      A quick look at the latest reviews

      Tsomo and the momo




      "Niveditha Subramaniam’s zany pictures perfectly compliment her text to present this story from the mountains of Nepal and Tibet, the home of the momo, and is sure to be a hit with the kiddie foodies. "Read the full review on Saffron Tree





      Mostly Madly Mayil






      "There is no huge plot that needs resolving, no problem that needs addressing or even a play that needs rehearsing. There are no sparkly vampires or the-fate-of-the-world-rests-on-Mayil’s-shoulders scenarios. And that’s exactly what I love about the book."

      Read the full review on Bookwormetc






      Little Indians




      "‘Little Indians’ explores the many little Indias within this country, in a way that is sure to appeal to little Indians."
      Read the full review on Saffrontree







      Read Aloud Stories




      "Read Aloud Stories is a great choice for those who want to give picture books a temporary breather...The tales are full of fun sounds, quirky characters and are a blast to dramatically read out
      "Read the full review on Bookwormetc

      Leading Reading Schools of India Award winners

      $
      0
      0
      Young India Books organised a nationwide competition called the Leading Reading Schools of India. The schools were given a list of recommended books from which children were invited to write a review, illustrate a scene, design a book cover or create a game or puzzle based on a book.

      We were very impressed with the entries for Tulika books! Here they are at a glance:


      GAMES - Senior category

       2nd Prize: Awarded to Karina Samani, a student of Aga Khan School, Chitravad, for Advaita
























      ILLUSTRATIONS - Junior Category

      1st Prize awarded to Ayana Shah, a student of Aditya Birla World Academy, Mumbai, for The Why-Why Girl


      2nd Prize awarded to Vedant Doshi, a student of Aditya Birla World Academy, Mumbai, for Advaita


      3rd Prize awarded to Taarini Gurjar, a student of Bombay International School, Mumbai, for The Sweetest Mango and jointly with, Simran Khatri, a student of Arya Vidya Mandir, Bandra West, Mumbai, for Mukand and Riaz


      SCENE ILLUSTRATIONS- Junior category
      2nd prize
      awarded to Mamata Jalgaonkar, from Muktangan, Mumbai, for Putul and the Dolphins

      3rd prize awarded to Shreya Punjabi, a student of Arya Vidya Mandir, Juhu; Mumbai, for Mayil Will Not Be Quiet!

      “Appa gave me this notebook saying I should write every single day. He said that I could talk non- stop in it and give everyone's ears a rest! In this book I'm going to write about everything I think of and nobody's going to ask me to keep quiet.”

      Ever asked your teacher why King Dasharatha didn't want a daughter? Ever punched a boy in the face? Ever had an annoying little brother steal your doll? Well, Mayil has!

      Take a peek into Mayil Ganeshan's ordinary but not- so- ordinary life. She paints a vivid and delightful painting of her family, and transports us into the world of a young pre- teen girl with all the complexes and problems that we have while growing up. The way she describes her grandfather's love for her grandmother, is truly touching. Her relationship with her brother perfectly sums up sibling rivalry, with a touch of love. Her mother's character is a very understanding one, perfected with wonderful parenting skills- the way she understands just what Mayil is feeling, and gives her her own space just when she needs it.

      Crushes, disappointments and friendship problems- this book is an all in one. Everything from Mayil's random thoughts about the boy she likes to the incidents that disturb or upset her are in here. Family issues, such as her father losing his job, and friendship issues, such as breaking friendship with her best friend, are all a part of Mayil's life. She describes her complexes about not looking pretty enough and not having nice hair. She does things like sneaking for a movie without telling her parents, trying on some Fair and Lovely cream, taking french lessons and making her very own game. This book is a perfect bundle of emotions that a pre-teen/ teenager might experience.

      More than anything, this diary is a step towards her becoming 'Mayilwriter' and completing all the stories she never never managed to finish. She jots down some of her stories in her diary, and her imagination is wonderful. It makes you want to fly away with her into a land where the first people on earth were called 'Maaa' and 'Baaa', and God is a giant chicken who lays eggs everywhere!

      Mayil's entries are truly hilarious and the drawing that top them them off just make me want to laugh more! The way she titles her entries! From 'Ma Rocks my Socks' to 'Marshmallows and MSG', they were all great. Plus, the double and single underlining to emphasize on the words, and the mention of 'Bama Vijayam' and 'Nilambhari' make it so authentic that you can perfectly imagine being Mayil. Hilarious sentences and amazing illustrations, make it a great read. So, open the book and listen to Mayil, for now she will not keep quiet!


      1st Prize awarded to Krusha, a student of Abacus, Chennai, for Gulla and the Hangul
      “ I liked the starting of the story and the drawings. And I liked the houses but I felt bad when the earthquake came and destroyed the village. And when Gulla went to the forest to save a deer from the wild dogs. And in the morning the deer turned into a sheen (the Spirit of the Eternal Snow) and the deer was near the sheen and the sheen asked to the boy to ask a wish and the boy asked that there should be no more earthquake in the village, And that’s what made me happy. “

      3rd Prize awarded to Isha Karwa, a student of Bombay International School, Mumbai, for Putul And The Dolphins


       

      “This story is about a girl named Putul. She lived next to the Ganga. One day she was waiting for her father to come back from town, suddenly she heard a squeak and so she looked and saw there was a flood of dolphins that entered their hut. She told her mother. Her mom was happy and said: Soon we’ll get to eat the dolphins for breakfast. On the other hand Putul liked the dolphins and she tried to shoo them away saying: Baba will kill you. Go now. They were about to leave when guess what happened? Putul’s mother scolded her and put rice in the water. The dolphins started eating. So Putul made squeaking noises and went out in the current, she was followed by the dolphins. But she was about to drown. Her head was half way in the water. That must have been scary don’t you think? But Putul was rescued by the dolphins and was brought to land safely from that day on the people never killed dolphins. And I hope people never kill living creatures again.”


      This last review was by
      Simran Khatri who won 3rd prize for her cover design of Mukand and Riaz


      "I liked the book because it spoke about true friendship.They author of the book showed that true friends never forget each other though they are apart. The author (Nina Sabnani) has written this emotional an interesting book about true friendship. I didn't like the part where Mukand got a fracture because it reminded me of my accident, but otherwise it was a great book."

      Introducing Cash on Delivery in Chennai!

      $
      0
      0
      We're introducing Cash on Delivery in Chennai! So this summer, read Tulika books in the comfort of your home. 



      So how does Kaka's CoD work? FYI, here are our terms:

      1. CoD is available only in Chennai for orders worth Rs.500 or above.
      2. CoD orders will be booked only if your pin code is servicable by our Courier Partners. 
      3. Books will reach you in 4 days at the latest. We will need a day to process your order.
      4.Only cash payments will be accepted. Demand Draft/Cheques will not be accepted for orders booked under the CoD method of payment.
      5.Tulika's online gift coupons will not be accepted for CoD.
      6.CoD is applicable only for Indian Rupees.
      7.To place your orderor if you have any questions about the offer, please write to sales@tulikabooks.com.

      The Big Tulika Summer Haul

      $
      0
      0

      Cash on Delivery is back in Bengaluru!  

      So hook some books this summer and stock up because we've got books for EVERYBODY!
      • for libraries to stock for next academic session
      • for resource centres and libraries for summer holidays
      • for families in gated communities and apartment complexes for sharing with neighbours
      • for summer camp activity ideas
      Take a quick peek into the packages we're offering:

      Package 1- Baby Bahadur series 

      Package 2- Nandini Nayar Special: Guddu's Photo, What shall I make?, Pranav's Picture, Where is Amma?, My Grandfather's Stick)

      Package 3 - Water related picture books: The Red Umbrella, Satya's boat, Let's catch the rain, Raindrops, Boondi's Story: Water

      Package 4 - Paperback titles: Water Stories from Around the World Little Indians, Read Aloud Stories

      Package 5 - Picture books: Junior Kumbhakarna, Rooster Raga, Tsomo and the Momo, Little Laali, Catch that cat!

      Package 6  - Counting and alphabets - Hey! That's an A!, Let's go!

      Package 7- Gandhi package - My Gandhi Scrapbook, Picture Gandhi, My Gandhi Story

      Package 8 - Looking at art series

      Package 9 - First Look Science Series and Jagadish and the talking plant

      Package 10 - Picture puzzle books: I am different, World Tour Mystery and We are different

      We offer FREE delivery for orders above Rs 500/-.

      Write to sales@tulikabooks.com with your order details. Happy reading!




      Discussing Disability

      $
      0
      0

      Reading Catch That Cat with children with special needs

      Archana Joshi, the co-founder of Ekadaksha Center, on seeing a write up about Catch That Cat in The Hindu (dated Jan 2014) asked me if I’d be willing to do a story telling session at her school. Ekadahsha, in Mandeveli, is a four year venture aimed at educating children with autism and learning disabilities. Having worked with differently-abled children before, I looked forward to a session with these students. I must admit here, that a part of me was interested in knowing what they made of a book about a girl who faces challenges on a day to day basis, and how she makes use of her “disability” to help a friend.  



      Aware that meeting someone for the first time might prove to be a challenge for some of the kids, I offered to visit the school a day before the scheduled book reading. I also figured that having an idea of my audience was a really good idea. I admit I wasn’t prepared for what I saw when I reached Ekadaksha.
      Of the fifteen students there, only one or two of them were verbal. Some of the boys in the senior struggled to communicate what they had done over the weekend, even as one cried piteously because he missed his grandmother. Story telling was going to be way more difficult than I had imagined! I was also a bit taken aback when one of the teachers – in an attempt to be helpful, I’m sure – told me not to worry if her students didn’t follow the story. “Usually we do one story over a week,” she added. All the activities I had planned instantly vanished from my mind. I was struck by the irony of it all – telling a story about being differently-abled to a class who struggled to communicate their own differences and difficulties.


      Regardless, I was determined to give the kids at Ekadaksha a story telling session that they would enjoy. But I was at a loss as to how to do so. That evening, I spoke to V. Balakrishnan of Theatre Nisha. I explained to him that I have never handled such highly autistic kids before. How was I to tell them a story if I was unable to communicate with them? Bala, having worked with children with special needs before, suggested incorporate sounds and music into my story. Indeed, studies have shown that children with autism respond better to play or therapy sessions with music than to sessions without music. Since music is not my forte, I focussed on sounds and worked on retelling Catch That Cat with as many new sounds and actions as possible.

      When the day of the story telling session dawned, I was much less nervous that I ought to have been. Seated in a circle, we talked about dogs and cats, and the different sounds the animals make. Then, I went on to tell them – with sounds and actions and pictures – the story of Kaapi the cat, and how he got rescued by Dip Dip.



      The response was overwhelming. Not only did the boys in the circle really enjoy the story, but they also repeated the sounds and did the actions with me. One of the boys got carried away and even told the story with me! I realised something that day and I was rather surprised that it hadn’t struck me before: disability is in the eyes of the viewer. Everyone is capable of understanding and following even the most complex streams of thought. We just need to find a medium that is best suited to our needs.

      Remembering Bindia Thapar

      $
      0
      0
      We are deeply saddened by the news of Bindia Thapar’s passing away on 18 April. She has a very special place in our hearts for she was with Tulika from the start of its publishing journey, Ka Se Kapde Kaise, the Hindi alphabet book brilliantly conceived and created by her, was one of the very first books we published, and reprinted several times on popular demand.




      Bindia’s artwork stood out for the meticulous care she took to render each picture. Her sense of space and eye for design was natural, and reflected itself in every book she worked on. Ka Se Kapde Kaise? has an instinctive joyousness, with letters hiding playfully within the pictures. Fine dots, swirls, lines and patterns create striking black and white visuals in different moods for One World.
      But the one where she goes straight to the heart is Malu Bhalu, written by her friend Kamla Bhasin, with whom she often collaborated. Her soft pencil and watercolour illustrations capture the warmth of the bond between a brave little polar bear and her mother, with a lightness of touch and an uncontrived sweetness – the two qualities that really characterise her art and approach, and Bindia herself.

      She leaves with us a legacy that will endure and charm young readers for years to come.  

      Rachna Dhir, an old friend of Bindia’s, and Tulika’s committed 'Bangalore ambassador' writes in...

      The first Indian book that was gifted to my daughter soon after her birth, was Malu Bhalu, in early 1999. The giver, Ania, also gave her a baby quilt made with her purple silk sari, and both of those became prized possessions of my daughter's childhood. She was obviously too young to understand Kamala Bhasin's beautiful feminist prose but loved Ania's sister Bindia's simple illustrations. And that was how I first got to know about Bindia Thapar.

      As my daughter grew, I firmly decided not to read traditional Western fairytales like Little Red Riding Hood or Cinderella to her. Thanks to Malu Bhalu, I learnt that Indian books were now available for young children and I literally asked the Tulika team to adopt me as their Bangalore ambassador.  




      Over the coming years, I would communicate with Bindia over email and phone ever so often. She would always be excited about new projects. So many times, I would show my children (I had a son, a few years later) her illustrations – and they would continue to be mesmerised.

      An all-time favourite in my household was, of course, Ka se kapde kaise?, Bindia’s unique Hindi alphabet book with witty, quirky, simple-yet-meaningful drawings. 



      Many a time, I actually felt that not all authors could do justice to her illustrations as she took the art to such amazing heights! Bindia illustrated so many short stories for so many publishers that I can’t list all here. For those who have not seen it, I urge you to please see the doublespread of The Magic Rain Drop by Katha and notice that no two faces have the same expression!

      Puffin's Curiosity Killed the Cat and Other Animal Idioms was a book that only Bindia could have thought of. A drawing and a saying per page – delightful concept, amazing execution. Most recently, Justice Leila Seth wrote about the Preamble to the Constitution for her grandchildren and the book all of us got as a result was We, the Children of India, illustrated by Bindia, published again by Puffin. Her wordless illustrated mats are used by schools all over the country as aids for vocabulary building as well as role play. She illustrated many booklets for JagorI and Sahmat too.

      A single mother, diagnosed with cancer and going through treatment, finding and losing love in life – she went through so much, always with hope and a smile. Then, as therapy, about five years ago, she discovered embroidery. She encouraged Mala of Bangalore to register ‘A Hundred Hands’ as an NGO. Bindu, as she was known by friends and family, called to tell me about this idea, and I happily jumped on the bandwagon as a supporter. The last time I met Bindu was at the AHH bazaar, a little over two years ago. The posters designed by her, with much love, is a favourite of many Bangaloreans. 

      We are saddened that Bindia is no more with us. It is not easy to write a farewell for someone who was so full of life, bursting with enthusiasm, even while in physical pain. She worked with a diverse set of authors and publishers, and touched many lives through her books. Bindia not only inspired and mentored illustrators but also boldly fought, with dignity, plagiarism in the field. A trained architect who taught the subject for many years before she turned illustrator, she brought professionalism to the still evolving genre of children's illustration in India.

      The light of her life, her granddaughter, turned two recently. At this time, our thoughts are with her family who were blessed to have such a loving, caring, giving, talented daughter, sister, mother and grandmother. As for her friends, all I can say is, Bindia, we shall miss you. Our lives were made richer through our interactions and conversations with you. You will continue to spread joy in the lives of children for years to come through the books made immortal by your work.


      See more of Bindia's work on Facebook and Pinterest

      Tulika Books recommended by the NCERT

      $
      0
      0
      A number of our picture books in English and Hindi have been recommended by the NCERT this year! Take a look at the list below:

      Books in English and Hindi recommended for Classes 1 and 2



      Books in English and Hindi Recommended for Classes 3 and 4  



      Books in English recommended for Classes 1 and 2

      http://tulikabooks.com/our-books/picture-books/general-picture-books/lets-go

      http://tulikabooks.com/our-books/picture-books/general-picture-books/when-i-grow-up

      Recommended for Classes 3 and 4



      Books in Hindi recommended for Classes 1 and 2


      http://tulikabooks.com/our-books/picture-books/first-look-science




      Wild Verses of Wit and Whimsy - a perceptive review

      $
      0
      0
      11-year-old Alizia Kumail's perceptive review of our first Young Adult book – Wild Verses of Wit and Whimsy by Alok Bhalla and pictures by Manjula Padmanabhan






      Tulika's birthday return gift sets

      $
      0
      0

      For more details visit http://tulikabooks.com/birthday

      Wild Verisfy!

      $
      0
      0
      If you love playing with letters or making up nonsense rhymes, here’s a chance to twist, shout and verse it all out! 

      Here’s inspiration from our young adult book, Wild Verses of Wit and Whimsy, written by Alok Bhalla and illustrated by Manjula Padmanabhan. 

      Step 1: Feast your eyes and ears on these whacky rhymes.
      Step 2: Choose any letter of the alphabet and write your own wild verse in ANY language you choose. (English/ Hindi/ Tamil/ Telugu/ Kannada/ Malayalam/ Marathi/ Gujarati/ Bengali) 

      Step 3: Send your entry to tulikabooks@gmail.com with the subject: My Wild Verse. You can also post it on your own blog and share the link with us.

      The top 3 entries will get a FREE copy of Wild Verses of Wit and Whimsy. Last date for sending entries is 13th November 2014. 

      Ready to take off on the wild wings of poesy? Go forth, we say!

      PLEASE NOTE: Wild Versify is open to participants between the ages of 14 and 30. 

      From APPAKA, with love

      $
      0
      0

      We are always delighted when we receive thank you notes from our authors, illustrators, translators and friends of Tulika. 


      Here is one from Sreelatha Radhakrishnan, author of Appaka. Thank YOU, Sreelatha – we're chuffed!




      Winners of Wild Versify!

      $
      0
      0

       The winners of Wild Versify and their wild verses!

      Once upon a time, a one-eyed ochre-colored owlet ogled at an orange ostrich
      Ostrich had oomph, an obtrusive opera singer, who obnoxiously objected to owlet’s ogling
      Ostrich ogled at an old oak-wood, an ostentatious odist who oddly was an odontist.
      Oak-wood’s oddity overhauled ostrich’s oomph, owlet ogled at oak-wood with odium.
      On an ominous occasion, old ox organized older oxen’s obsequies,
      Owlet, oak-wood and ostrich overseeing omen of obit obediently came over
      Ox was obliged, overcome by ostrich’s oomph.
      Ox and owlet ogled at ostrich, ostrich ogled at oak-wood.
      Oak-wood was over-stricken by this ordeal and ogling-oppression, ousted itself of its oak-residence.
      Oak-wood met an overtly omniscient ogre on its obstreperous odyssey.
      Ogre became obsessed with oak-wood, and orchestrated odes for oak-wood.
      Oak-wood was out-witted by this ostrobogulous ogre, and ogled back.
      Oh, but for our one-eyed owlet!
      Owlet so long obscured in an ocean of overshadowing obfuscates
      Over-ran onto an obsolescent Oracle, and ogled at her.
      Oddly, Oracle ogled back.
      Owlet’s obscurity was over-ridden with overhauling oddball.
      And they all ogled one another happily ever after.

      Once a shoe started singing a simpering song about socks!
      Socks smelling sordid, squalid, stashed in stupor, set in seclusion.
      Senile socks, sturdy socks, socks stripped of shades, socks stranded solemn.
      Shoe’s song seethed the socks, squandered in self-pity.
      Socks surreptitiously sauntered and swiftly spanked shoe, shoe was sorry and saddened.
      Shoe stirred up a sumptuous, smashing, scrumptious supper for socks.
      Salmon, saccharine, sorghum, sorbet, sushi, sausage scallops and seaweeds!
      Socks were surprised and they shrived, suavely summoned shoe for special social-gathering
      Shoe was in seventh-heaven and straight-away surrendered.
      Shoe and socks swore steadfast subservience to selves,
      And this is story of their sweetly sublime sorority.

      – Srijita Datta, Gokhale Memorial Girls' School, Kolkata


      A small, scintillating, spirited, Silver Star,
      In the serene spacious sky,
      Slipped slapdash into the sea.
      Swaying, Surfing, Spinning, Swinging, surging, swelling,
      Suffused a swarm of sparkling stories scattering across the stretch,
      Among the shells and sharks,
      Salmons and seaweeds,
      Starfishes and seahorses,
      Squids and sponges,
      Ships and sailors,
      Spawning a storying spree,
      Sparking off a symphony of stories - Spectacular, striking, splendid, sumptuous, sprightly stories,
      Spreading smiles across the shores,
      And a stream of sunlight showering sunflowers all over the sand and the sea.

      –Banu, aneducator from Cuddalore





      – Pavithra Muthalagan, graphic designer, Chennai


      Tulika offers for World Environment Day 2015

      $
      0
      0


      We’ve got 3 sweet deals to celebrate World Environment Day (5 June)!

      Pick 3 and get 10% off!
      Pick 6 and get 15% off!
      Pick 10 and get 20% off!

      Here is the list to choose from:

      1. A Bhil Story
      2. Magnificent Makhna
      3. Black Panther
      4. The Magical Fish
      5. Gulla And The Hangul
      6. The Coral Tree
      7. The Spider's Web
      8. The Bee Master
      9. Out Of The Way! Out Of The Way!
      10. The Kite Tree

      Did we mention shipping’s free? Offer runs all through this June. Good to go? Mail us at sales@tulikabooks.com with the subject ‘MY GREEN GOODY BAG’.


      Meri priya pustak

      $
      0
      0



      Readers have enjoyed puzzling out perplexed Paploo’s questions about his upside down world. This neat little review of Kyon Heeroo Hua Hairaan really made our day!


      Growing up with Tulika books

      $
      0
      0
      In February last year, I had quit my job just after 7 months of work. I had decided to take a short break to do certain things that really interested me and made me happy. I love being around children and realized that writing short, funny stories for them would be something that I could possibly do. It was during that time that my mother, who had always bought Tulika books for me when I was younger, insisted that I try writing for Tulika. It seemed to me like a great idea – like something that I would definitely be happy doing.  Subsequently, I had also started taking music and French lessons. This gave me a lot of energy, and motivated me to experiment with new ideas.

      Tulika has always been a very interesting publisher that has given so many books that I have been reading ever since I was little. I still re-read books like Ekki Dokki, Magic Vessels, Eyes on the Peacock’s Tail, Mazzoo Mazzoo, Suresh and the Sea, Eecha Poocha etc. I also read newer books like Siri’s Smile, Mala’s Silver Anklets, Catch that Cat!andOur Incredible Cow.

      The main thing that prompted me to write for Tulika over other publishers was the fact that I felt familiar with the style of writing. In a way it was like coming back home – a comfort zone that I could go back to; the closest I could get to being a child again. Authors and storytellers like Jeeva Raghunath, Sandhya Rao and Vayu Naidu were my favorites.

      I remember reading Ekki Dokki as a child one evening and it was the best thing that happened that weekend! I re-read the book and others many times, and my mother read it aloud when I would go to bed (even though I was old enough to read the books at the time, I preferred my mother to read them out to me at bedtime!) Tulika books are perfect for reading out loud – they give the ultimate storytelling experience.

      So, having decided to write for Tulika, I thought I could start with something really small – something ‘ant sized’ which would hopefully, over time, turn into something bigger. I began to think of stories where children did mischievous things or small acts of kindness. However, curiosity, as a feeling, is something that children can relate to. We all like small things, and children are almost always picking up small objects around them. I realized that writing a story also meant creating the visuals, and I was as excited about the visuals as I was about the writing. And so, what started out as individual doodles, became a story in itself.


      I knew that I wanted to keep the stories simple, as those are the kind of stories that really appeal to me even today. I doodled some more, wrote some more, and, eventually, I mustered up the courage to send some of these stories to Tulika. Soon after that, I joined my present job which I enjoy very much.  

      Excatly a year later (February this year), I was pleasantly surprised by a mail from Tulika on publishing ‘the ants’ manuscript! This meant that I was going to be a Tulika author!! My happiness grew by infinite proportions and I was more than excited. Before I knew it, my story, Follow the Ants, was published and translated into 8 Indian languages.


      So far, I have absolutely enjoyed the experience of being an author with Tulika – it has still has not sunk in. Be it the storytelling sessions, signing the books, visiting the Tulika bookstore, interacting with the Tulika team - everything has been absolutely brilliantJ


      I really hope to continue writing small stories that little kids can relate to, and maybe stories that slightly older kids can read as well. Like the ants, I think I too need to continue marching towards things that make me happy - and right now, it is my passion to write and doodle, and try to create something that everyone can enjoy.

      Viewing all 147 articles
      Browse latest View live